Wednesday, 18 June 2014

Thomas Hardy

Hardy's Cottage
Hardy divides opinion, but whether one is an enthusiast or not he carved his mark as an enduring classic writer in the English language. He was a man of many parts – countryman, writer, Architect also an occasional urban man who for years spent the ‘season’ in London to be amongst people of influence.

His understanding and depiction of the Dorset countryside of Victorian days ring true today. In The Woodlanders he lays before us in the village of Little Hintock a community of woodland workers living within social stratification, the poverty and privilege of the times. The layering of society is underlined to the point of tedium as Giles Winterborne (surely he would be the vanquishing hero in today’s tales of romance) suffers the ignominy of being passed over for his acknowledged childhood sweetheart Grace Melbury’s hand. At the urging of her aspiring father, a significant major employer, determined to deliver his daughter into the hands of her social betters, Grace agrees to marry the mysterious doctor who dabbles with scientific experiment, Dr Edgar Fitzpiers.

The character of Mrs Charmond at Hintock House hangs over the whole community having reached her station in the social order through her late husband’s status and thinks nothing, behind her curtain of respectability, of dalliance with whoever takes her fancy, but always on her terms.

The twenty-first century reader is often exasperated by the barriers controlling the lives of the players in this corner of rural Dorset. This no doubt is Hardy’s intention being a man who disliked the social constraints of the day. This tale woven around its woodland community rings true. This is the charm of Hardy’s storytelling. He wrote about his contemporary countryside as he observed it, we read about it as a countryside of yesteryear, a social history, a place that is convincing, a fascinating glimpse of the times our grandfathers and their grandfathers lived in whatever their place in it, labourer or landowner.

Thomas Hardy was a man of many parts living through an age of immense change and we are indebted to him as the author showing us how it was in this ‘Wessex’ corner of the realm.

He was born in 1840, the year of Queen Victoria’s marriage to Prince Albert and died in 1928 thus seeing nearly all of Victoria’s reign, all of Edward VII’s and most George V’s. As a sixteen year old he was at the public execution of Martha Browne at Dorchester out of curiosity and later regretted. His almost eighty-eight years, born in the summer and passing in the New Year, he witnessed the blossoming of Imperial power living through the horror of the Great War and into the depressions of the 1920s. Scholar, Architect - he won prizes at the Architectural Association - designer of Max Gate his final home built by his brother, prolific writer of novels, many first published in magazine instalments and a poet of note.

Hardy craved connection from his humble beginnings and became a cornerstone of English Society with many notables of the day visiting him at home in his later years and writers from Siegfried Sassoon to DH Lawrence acknowledging his influence. Twice married he became estranged from his first wife of many years, Emma Gifford, who moved herself into the upstairs while he lived with his much younger secretary, Florence Dugdale, who was to become his second wife. When Emma died in 1912 he devoted himself to her memory and concentrated on his poetry. Hardy considered himself a poet rather than a novelist.

Today Thomas Hardy’s fingerprints are seen across the Dorset countryside and will be after many important names of our times fade away.


CHIP TOLSON: Architecture (two years at the Architectural Association where unlike TH he won no prizes), National Service in the army and shipowning trades kept Chip busy before retiring to the joy of short stories, winning the Yeovil Short Story Competition in 2013. He has also written short plays and has two novels in want of a publisher.

Wednesday, 4 June 2014

Interview: Author Jim Potts

Today the Cyder Scribes would like to welcome author Jim Potts, who has kindly agreed to answer a few questions.

To start, please could you tell us a bit about yourself and your writing.

I began writing poetry as a teenager in Castle Cary, Somerset. I went to school in Sparkford and Bruton, and went on to read English Language and Literature at Wadham College, Oxford. As a postgraduate I studied Film and TV production at the University of Bristol Department of Drama. I have written for most of my life. When I started working overseas, my perspectives changed and  widened, although my roots were always in the West Country (Somerset and Dorset).  I served in The British Council from 1969-2004 and I was posted to Ethiopia, Kenya, Czechoslovakia, Greece, Australia and Sweden. I wrote documentary and educational film and television scripts for films I made in Ethiopia and Kenya, and I taught a course on Scriptwriting for Documentary Films in Ghana. I became interested in the politics, history and arts of each country where I served.

What was your journey to publication like?

Apart from occasional poems and professional  or academic articles, I didn't  try to publish very much while I was working. I considered it an important part of my job to help promote other British writers and artists, not my own work.  I did edit a number of British Council journals, such as Educational Broadcasting International,  and other titles in Australia and Sweden. My first proper book, a collection of poems and prose, was published after my retirement ("Corfu Blues", Ars Interpres, Stockholm, 2006).  Some friends in Czechoslovakia had published a small samizdat collection of my poems, ("16 Poems") in English and Czech translation, in Prague, in October 1989, just before the Velvet Revolution. I had no idea a group of distinguished young Czech poets was planning it as a farewell "tribute". Selections of my poems have been published in translation in a number of languages (eg Romanian, Swedish, Greek and Czech). For three years I was one of the judges for the Sydney Poetry Olympics.

I had contributed to other books associated with my official cultural relations work: an exhibition and book called "Literary Links", by Roslyn Russell, a celebration of the literary relationship between Australia and Britain (Allen and Unwin, 1997); an anthology called "Swedish Reflections, from Beowulf to Bergman" (Judith Black and Jim Potts, Arcadia Books, 2003), for which Michael Holroyd wrote the foreword.

To what extent does your local area (Dorset/Somerset) influence your writing?


In the early days Somerset was a main source of inspiration and influence. Latterly Dorset has been a considerable source of inspiration, in terms of landscape, local history and literature (including some minor or largely forgotten  Dorset poets and writers, apart from the familiar names like Hardy, Barnes, Fowles and Llewelyn Powys. I have written articles for Dorset Life and Wiltshire Life. I now live in Dorchester (Poundbury).

Are you a member of a local writers group?


No. Although when I was one of the three editors of "Dorset Voices" (Roving Press, 2012), it felt as if I was a member of a Dorset-wide network. I really recommend this anthology of prose, poems and photographs. We discovered some absolutely wonderful writers, many of whom had never been published before.

Who are you favourite local authors?


William Barnes (I have been a member of the Barnes Society for over 25 years); Llewelyn Powys (essays on Somerset and Dorset). Hardy and Fowles, of course. There are probably more painters,  artists and photographers than writers who engage my interest at the moment.

Do you have a favourite book set in the local area?


Poems of Rural Life in the Dorset Dialect, William Barnes.

I should also mention "Dorset Voices" (Roving Press) because of the quality of much of the writing from the many talented contributors, young and old.

Where can people find out a bit more about you and your writing?

I  produce a regular blog called Corfu Blues (corfublues.blogspot.com), otherwise my author profile on Amazon.co.uk

What are you working on at the moment?


I have been working on a book about "Art and the Dorset Landscape" for the last three years. I gave a talk on the subject at the Dorset County Museum on 30 April, 2014. It's a costly undertaking, because of the need for top quality colour reproductions of paintings, and the fees payable to museums and galleries around the world. I am still trying to find further sources of support.

I am also working on  books about Czechoslovakia and Albania during their Communist and Cold War periods. I gave a talk on the Albanian topic at the Pan-Ionian Conference in May, 2014. The title? "The Attempted Subversion of Albania and 'Roll-Back' of Soviet Power - Philby's Betrayal of Operation VALUABLE/BGFIEND. The Corfu Connection, 1949".

I have contributed three chapters about Greece to several books that will be published this year or next by Cambridge Scholars Press. I have just today been invited to contribute a chapter to an American book on Travel, Tourism and Identity. I still haven't made up my mind whether to write about Greece or Dorset. It's a tight deadline to meet.

I really want to make a collection of all my poetry. For the grandchildren, more than anything else!

Where can we buy your books?


Probably easiest through Amazon.co.uk, or Amazon.com if in the USA.

Maybe Waterstones still have some in stock that can be ordered.

Thank you Jim for joining us today.